P  A  I  N  T  I  N  G   /   M O N O T Y P E   /   S C U L P T U R E
John Nieto, Tony Abeyta, Kevin Red Star, Walt Gonske, Michael Wright, Stan Natchez,
Kim English, Kathleen Morris, Carol Anthony, Dane Clark, Bruce LaFountain, Ledger art

 

 

John Nieto

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John Nieto Indian Archer  Acrylic on Canvas  H 60 x W 60  $ 34,000

                                                                           

John Nieto  Corn Grinder  Acrylic on Canvas  H 48" x W 60"  $ 34,000
 

John Nieto calls himself an American artist who paints Indians, not an Indian artist.  An acclaimed leader in his field, but taking a separate path to represent Native Americans in striking symbolic portraits, Nieto is exhibited worldwide and has had paintings accepted for the Presidential library.  His Indians are not idealized or troubled.  They are potters, warriors, silversmiths or shamans in traditional garb, as well as indigenous wildlife, painted in brilliant, oddly paired colors, radiating a quiet dignity.  His unfettered use of brilliant colors has been likened to the Fauves of the 1920's French movement.  Nieto has spent time in Paris and also seems to be influenced by European expressionists who released the subconscious onto canvases.  Nieto says, "I'm in a trance when I paint.  It's like being a drummer - you don't look at the drums, you just know intuitively where they are..."    

Tony Abeyta

Tony Abeyta  Canyon Guardians  Monotype  H 30 x W 48 $ 5,900

Tony Abeyta   Acrylic Abstraction w/Feather on Canvas   1986 32 x 24 $ 1,700

Tony Abeyta is of Navajo and Anglo descent and was raised in Gallup, NM. He left Gallup at 16 years old to study art in Santa Fe, NM at the Institute of American Indian Arts. He also continued studies at the School of The Art Institute of Chicago and received his M.F.A. from New York University. A few of his museum collections include: The Heard Museum, Phoenix, AZ; Harwood Museum, Taos, NM; National Museum of the American Indian, Smithsonian Institution, Washington, DC; Museum of Arts and Culture, Santa Fe, NM, etc. "... I consider myself a regionalist, accepting that much of what I do is tied to a native culture and place. I find that art is constantly moving, reinventing and affected by the changes in our culture and it's great to feel part of that in some way." Tony Abeyta

Michael Wright

Blue Notes

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Michael Wright  Blue Notes  2012  Mixed Media on Canvas  H 40 x W 35  $ 8,100
 

Michael Fitzhugh Wright was born in Rochelle, NY in 1931.  He studied at Yale Music and Art School, Albright Art School and the Brooklyn Museum School.  After serving in Korea as a regimental artist, he began his career as a painter in New York City in 1954.  As a young painter, he was friend and colleague of Jackson Pollock, Franz Kline and David Smith in the famous days of the Cedar Bar and Eighth Street Art Club.  After ten years in the city, he moved to East Hampton and assisted Willem de Kooning from 1965 through 1967. Intrigued by the clarity of light and variety of forms, he moved to Santa Fe, NM in 1986 where he still resides and paints today.       

 

"Mike is a natural painter, he was born that way."  Willem de Kooning

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Michael Wright, The Fridge Michael Wright, The Fridge
Michael Wright  The Fridge  Acrylic on Board  H 22 x W 30  $ 3,800

Animal Image

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Brooding Shapes

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      Michael Wright  Animal Image  2007  
    Paper/Acrylic on Board  H 28 x W 24  $ 4,200
           Michael Wright  Brooding Shapes  
         Paper/Acrylic on Board  H 30 x W 24  $ 4,200

Tension

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Michael Wright  Tension  2011  Acrylic on Canvas  H 42 x W 40  $ 8,000

Carol Anthony

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  Carol Anthony  Springtime Pinon Field   Monotype 
H 8.5 x W 8.5 (image) - H 22 x W 15 (paper) $ 1,200

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Carol Anthony  Landscape Pear    Monotype
H 6 x W 6 (image) - H 22 x W 16 (paper)  $ 1,200
Carol Anthony  Special Egg on a Blue Table    
H 8 x W 8 (image) - H 22 x W 15 (paper)  $ 1,200

 

 

Carol received her B.F.A. from the Rhode Island School of Design.  Anthony's intriguing characters often develop from a prop as simple as a pair of old shoes.  She works primarily in craypas on gessoed masonite, rubbing and blending the colors with her fingers.  The images are drafted layer-by-layer to create an unearthly light and dreamlike quality.  Her paintings are the means through which she conveys her internal visions.  They have an aura of expectation, of a place that has been prepared for a visitor who has not yet arrived, at once empty, yet inviting. She also creates beautiful collages, using small boxes and found ojects, birds' nests and old letters.  Her work is part of the Hirschhorn Collection in Washington, D.C. as well as the Wadsworth Athenaeum in Hartford, CT.  AskArt

Walt Gonske

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Walt Gonske  Taos Winter  Oil on Canvas  H 20 x W 30  $ 7,000

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Walt Gonske   The Rio Grande Below South Fork, CO   Oil on Canvas  H 16 x W 20  $ 6,000
 

We go to art school to learn the rules about drawing and painting.  After many years of developing skills and acquiring knowledge, I know what I will get as a finished product if I could control the process.  What I don't know is where it would lead and what would happen if I "gave up" control.  This is what interests me now.  It's a different way of thinking - or not thinking so much.  To remain empty of all pre-conceived ideas about how a piece will turn out.  It's simply a mind-shift away from repeating what I already know and to allow that unknowable, creative spirit to come through.  That's easier said than done, after 40 years of learning how to do this thing called art.  But the only thing that stops one from stepping into unknown territory is doubt and fear. If I'm willing to give up control over my skills and ability to do things a certain way, then new forms and techniques will come to me.   Walt Gonske

 

Mr. Gonske has received many awards for his paintings including the National Academy of Western Art, Gold and Silver Medals and the Southwestern Watercolor Society, First Prize.  His works are included in many museums around the country including the National Cowboy Hall of Fame and Western Heritage Center, the Eiteljorg Museum of American Indian and Western Art and the Thomas Gilcrease Institute of American History and Art.

Kathleen Morris

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Kathleen Morris, Solitude Kathleen Morris, Solitude
Kathleen Morris  Solitude  Oil on Canvas  H 31 x W 37  $ 5,400
 

Oil paint has been the consistent medium in my paintings, as it tends to be very visceral and a lot about the paint.  Most recently I have included wax.  The work is almost exclusively figurative, although I don't work from models.  It is important for my process to be able to change and move with the figures through time and space, as the painting dictates.  The paintings represent a deep resolve of mine to pare back to the core of being;  to get lost in it, to share it, to not care where I am going with it, and to give myself over to the bigger than me of it.  In painting, one is able to explore, the medium is malleable, the history of thought and the battle that go into the work are sometimes visible on the surface.  The work is like a journey, every single painting.   Kathleen Morris

 

Kathleen Morris has had numerous solo exhibitions since 1982 and is in private and corporate collections around the world.

Dane Clark

Dane Clark  Memories  Acrylic on Canvas  H 16 x W 20  $ 2,500

More than one person has told Dane Clark that his paintings look happy. Bright blocks of color: blues, purples and pinks with red, green and yellow dappled in  mosaic-like patterns of buildings and people.  Seaside houses with arched windows and domed roofs are fringed with palm trees.  Dresses of young women holding flowers echo shapes of streets and houses, and flecks of color are sprinkled like confetti.  It is no wonder that Clark's paintings look happy. The New Mexico artist is painting exactly what he wants to paint, exactly the way he wants to paint it.  For almost 30 years, Clark created landscapes in a vibrant pointillist style, a style he still uses for some works.  He also recently began stretching his inventive wings and trying on new painting styles that look very little like what he did in the past. After more than 50 one-man exhibitions around the country, Clark's openings now feature what he calls his primitive impressionistic style.  Masterpiece

Kevin Red Star

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Kevin Red Star  Crow Ceremonial Dancer  (late 70s)
Mixed Media on Paper  H 9 x W 12  $ 2,500

Indian culture in the past has been ignored to a great extent.  It is for me, as well as many other Indian artists, a rich source of creative expression.  An intertwining of my Indian culture with contemporary art expression has given me a greater insight concerning my art. I hope to accomplish something for the American Indian and at the same time achieve personal satisfaction in a creative statement through my art.   Kevin Red Star

 

Kevin Red Star's work is the focal point of several important museum collections, including:  The Smithsonian Institution - National Museum of the American Indian,  CM Russell Museum,  Heard Museum,  Denver Art Museum,  Eiteljorg Museum, Southwest Museum, Whitney Museum of Western Art, Institute of American Indian Arts Museum, U.S. Department of State, etc.

Ledger Art

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 Andersen Kee  Spoils of War  (1894 Ledger Paper)  H 10 x W 15  $ 1,200
 Andersen Kee  Pink Warrior w/ Umbrella &Travois  (1913 Ledger Paper)
 H 17 x W 17 $ 1,600

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  Donald Montileaux  Oglala Warrior (1906 Ledger Paper) H 16 x W 17  $ 1,600
Andersen Kee Gathering Wood  (1913 Ledger Paper) H 17 x W 17 $ 1,600

Ledger art is an American Indian traditional art form of pictographic drawing on pages of ledger books obtained through trade or capture. The drawings were representations of heroic deeds or sacred visions. Ledger art derives from a tradition of Plains Indian warriors that use traditional pictographic codes to keep historical records. The pictographs were originally inscribed on rocks and painted on tipis. Warriors painted pictographic representations of their historic deeds on their buffalo robes. When U.S. fur companies, settlers and cavalry destroyed the buffalo herd, the warriors turned to ledger books with balance sheets used to record white profits made from Indian losses. Soon the warrior-artists started to record scenes from daily life on ledger pages to grapple with and interpret their changing condition. These complicated dynamics of the American Indian going through various stages of traumatic historical change, attempting to preserve their history, resisting white authority and power, negotiating tribal and individual identity are all evident in the drawings of the ledger.

Stan Natchez

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Stan Natchez                                                                                    Stan Natchez

White Horse Messenger                                                                   Teepee Talk

Mixed Media on Canvas                                                                    Mixed Media on Canvas

12 x 12                                                                                              12 x 12

 $ 900                                                                                                 $ 900

 

Stan Natchez is known for his innovative and creative paintings.  Inspired by Andy Warhol, Jasper Johns, T.C. Cannon and other pop artists his paintings exude the power of color and familiar objects.  His paintings often begin with artifacts of American culture that either directly or indirectly reflect Indians.  He then includes figures such as Native Americans, mission priests or cowboys.  Intricate "stars and stripes" beadwork add texture to bold works that emanate beauty and joy. Dollar bills are layered on the canvas as a modern-day buffalo hide.

 

In addition to being a nationally known artist, Natchez has distinguished himself as a graduate student, teacher, dancer, editorial advisor and legal advocate for the Native American community.

Kim English

Kim English  Mid-Day Market  Oil on Canvas  H 18 x W 20  $ 4,500

Kim English works in the alla prima method of painting, trying to complete each painting in one sitting. On the road, he completes quick pencil sketches and small color studies and while he might also gather reference materials with a camera for use back in the studio, he insists upon drawing and painting on site to grasp the dimensionality of each subject he selects to explore. Born into a family of musicians, Kim English is an accomplished pianist and composer, and he has described the similarity of energy in music and painting: rhythm, movement and balance are integral to the simplicity he strives to achieve in each of his canvases. He has exhibited at the Allied Artists of America, winning the Gold Medal of Honor; the National Academy of Design; the Artists of America - Denver Rotary Club; NAWA 21st Annual Exhibition; Arts for the Parks; the Colorado Governor's Invitational - Loveland Museum; the A.R. Mitchell Memorial Museum of Western Art; The Knickerbocker 42nd Annual Exhibition; The Oil Painters of America, etc. He has won both the Certificate of Merit and The Joseph Hartley Memorial Award at two Salamagundi Club Exhibitions. 

Bruce  LaFountain

Raised on the Turtle Mountain Indian Reservation in North Dakota, he learned as a child the importance of family and Indian rituals, themes that Bruce continues to express in his sculpture today.  He has won many awards at Santa Fe's Indian Market, and in 1993/94, he became the first Native American to be named the National Earth Day Artist. His work is at the Heard Museum in Phoenix, AZ and in private and corporate collections around the world.

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Bruce LaFountain   Walking at Midnight Through High Waters With Friends   Bronze 1/12  
H 23 x L 52 x W 12  $ 23,500         

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